I have a thing for Norman Rockwell. When I was a kid, I collected Rockwell memorabilia in the form of calendars, picture books, and posters.
In those days Norman Rockwell stuff was about as common as Coke bottles. You could find Norman Rockwell in any antique store or far flung flea market in America. I outfitted my room with his artwork. I clipped illustrations from books and plastered Rockwell photos on my walls like pinups.
Which explains a lot about my social life.
I have a few favorite paintings.
There’s “Shuffleton’s Barber Shop” (1950). The painting shows a group of old men playing music in the back room of a barbershop. Everyone is smiling. Someone’s sawing a fiddle. A classic.
“The Runaway” (1958). A cop sits in a diner alongside a little boy who is carrying a hobo’s bindle. They sit on stools. You just know the cop is urging the kid to go back home to Mama.
“Saying Grace” (1951). My favorite painting, perhaps, of all time. A crowded restaurant, somewhere in a big
industrial city, maybe Pittsburgh or Detroit. A mother and son. They sit at a table. The joint is crowded. Everyone is smoking. People in the restaurant are gawking at the mother and son because Mama’s hands are folded and the boy’s head is bowed. And they’re praying.
Every time I start thinking about this painting I get choked up. I don’t know why.
Maybe it’s because Norman saw the world differently than others. He found his masterworks in the commonplace.
Still, I’ve always wondered whether Norman Rockwell’s depictions of a kindhearted, benevolent world were true. Can human beings really be as kind as they are in his world? Are people really that goodhearted?
No. When I was a kid, I decided that people truly weren’t THAT nice. For crying out loud, read your paper once in a while. Watch the news. Everyone on this planet…