The Dothan Opera House is an old building, constructed during World War I. Everyone has performed here. Willie Nelson, the Statler Brothers, Conway Twitty, Bob Dylan.
It’s a nice building. The brick edifice is Classical Revival. The arched windows are Italianate. The city recently pumped some major cashola into this place. And it shows. The opera house is gorgeous.
I arrived early for a pre-performance soundcheck, driving our dilapidated van, “Myrtle.” Myrtle is not gorgeous.
Myrtle used to be a plumber’s van. Myrtle has been with us a long time. She looks exactly like the kind of van you’d expect to be driven by a guy who, whenever he squats to work beneath your kitchen sink, you see eight inches of exposed, bare, white gluteal cleft.
My name was on the opera house marquee. I saw this, and my eyes started to blur.
My life began here in Dothan. Of all places. About 12 years ago.
At the time, I had just graduated from community college. Before that, I had
been a dropout. I earned my high-school equivalency. Which, consequently, is one of the hardest things I’ve ever done. Anyone who believes GED recipients are not as smart as everyone else should take the GED exam.
Being a dropout is difficult. When you’re a dropout, you can’t shake the feeling that you’re a waste of oxygen. This feeling pervades your being. You walk into a room of ordinary folks and, no matter who they are, you rank beneath them.
After a while, the dropout begins the slow process of devaluing himself or herself. You start to believe what everyone else believes. You are trash. Lower than trash. Societal debris.
People give you weird looks when they hear that you didn’t attend high school. They look at your feet and seem surprised…