I remember going to see the Grand Ole Opry as a boy. My father drove through the busy city of Nashville. I was five, he was thirty-six.
“Daddy,” I said, “Do you think that there will be anyone famous there?”
“Do I?” he said. “You better know it. There’s always famous people at the Opry, and famous ghosts, too.”
“Ghosts? Really?”
My daddy always was good with a ghost story.
“Why sure,” he said. “The ghost of Hank Williams, for one thing. And Hank Snow, and Lefty Frizzell... There’s always ghosts at the Opry.”
“Are they nice ghosts?”
“Depends.”
“Depends on what?”
“On if you’re a nice little boy or not.”
“What happens if I’m not a nice little boy?”
“A ghost will swoop down from the rafters suck out your soul, and send you to Hell and make you listen to classical music for eternity.”
Daddy’s ghost stories always were a little offbeat.
Then he would laugh. My father had a laugh that sounded like Mister Ed.
My father and I walked into the amphitheater and were greeted by the smell of
hotdogs and popcorn. I had the greatest evening of my life.
Men in ten-gallon hats. Women in rhinestones. Steel guitars, dueling fiddles, the sound of Keith Bilbrey's silky announcing voice.
We were suspended from the real world for a while. It was a star-studded dream, wrapped in a beehive hairdo, with a guitar strapped to its chest. Onstage we saw Jerry Clower, telling jokes.
My father laughed, slapping his armrest. And there was that Mister Ed laugh again. His odd laugh was funnier than any joke that ever inspired it.
But the height of our evening was not the music, nor the laughs, nor the sparkling rhinestones. The apex of this memory happened after the show.
We made our way to the lobby. There was a horde of people waiting in line. We couldn’t see what they…