My wife is putting up the Christmas tree and we haven’t even rounded the corner toward Thanksgiving yet. But then, this holiday season can’t arrive quickly enough for us.
My wife is ready to get this show on the road. After a long year of sheltering in place, social distancing, sterilizing hands, and making curbside grocery pickups in hazmat suits, I’m surprised she didn’t put the tree up in July.
Not only is she erecting our tiny plastic tree, she is cooking butterscotch cookies, lighting scented candles, and diffusing festive 50-dollar essential oils into the air. Our house smells like a Yankee Candle suffering from an identity crisis.
Our corny Christmas decorations are making an annual appearance, too. We have porcelain figurines strewn on every surface, little glass people skating on mirrors, decorative salt shakers, a Norman Rockwell advent calendar, and of course, Christmas scarves for our dogs.
Yes. Scarves.
And music. You cannot put up a tree without music, it would be wrong. We play only the classics in this house.
Because whenever Christmastime rolls around I prefer to travel back to a time when singers wore tuxedos, drank martinis on national television, and slurred their words in the company Foster Brooks.
The old melodies are drifting through our home like ghosts of Christmas Past. Nat sings about Chestnuts. Der Bingle is singing in Deutsch. The Vienna Boys’ Choir sings in Latin. Willie sings in Texan.
And I am lost in a fog of peppermint and plasticized Christmas paraphernalia. I have already traveled backward in time, deep into my childhood.
When I was a kid, my parents did not give many Christmas presents. Oh, we decorated and did trees, but our evergreens were fake, and our decorations were cheap.
On Christmas morning I would receive three or four sensible gifts and that was about all. Because we were fundamentalists. My mother didn’t believe in elaborate gifts. So I never…