I found a box of Christmas decorations in my attic. It’s filled with old trinkets and ornaments from childhood.
There’s the ornament I made in pre-school—a petrified gingerbread man who’s missing half of his face.
An ornament from fifth grade—a miniature Bible, splayed open to the book of Hebrews. It reads: “It is appointed for man to die once, then comes judgement.” A little uplifting treasure from a fundamentalist childhood.
And there’s the clay figurine I made for my father. It is an uneven lump, supposed to be man, eating oysters. But it looks more like a cow eating a ball of gray-colored mud.
I remember when I brought it home in my bookbag. I remember how the sun was in the early afternoon.
I remember my father was seated at the head of the table, asking what I learned in class.
Mama interjected, “Show Daddy what you made in school today.”
I presented him this clay atrocity. He looked at it and said, “What is it?”
“What’s it look like?” I said.
“A Jersey cow
eating a rock?”
“No,” I said. “It’s you, and you’re eating an oyster.”
“Why’re my nostrils so big?”
“Teacher told us to explore symbolism.”
“That means I’m a Holstein?”
“It means that we can make our parents look like whatever we want.”
“So you made me a cow?”
“No, I made you a cow-BOY, see the little hat?”
“I look like a hot-air balloon with a face.”
He hung it on the tree and tapped it with his finger to make it sway. “That’s a big oyster I’m eating,” he remarked.
Oysters are a tradition in my family.
That following Christmas, we awoke early. He wore the robe my mother made for him—he did not wear a robe any other day of the calendar year. Among my gifts were a few records, slacks, some…