The mountains of North Carolina. Mitchell County. I am in a country church. This is a homegoing service. These are mountain people.
It’s a simple chapel, founded the same year Granny was born, back in 1912. Woodrow Wilson was in office. The hit song was “Alexander’s Ragtime Band.”
We are in an all-wooden room. The floors. The pews. The altar. The pulpit. Wood, wood, wood. Even the priest is made of wood.
Wait, no. I’m mistaken. The priest is just being reverent right now. Namely, because this is a funeral.
There is an urn placed on the altar. Some members of the congregation are weeping. My friend Amy is seated in a pew, dabbing her eyes. Her sister, Tammie, is closing hers. My wife, Jamie, is in the rear pew, lightly sobbing.
Heads are bowed. Noses sniffing. My friend Joel is wearing a sport coat, delivering a eulogy at the pulpit. And in a few moments, I will play a funeral song on my banjo.
I am a musician. I am not proud
of this per se, but we are who we are. And when you’re born as a music maker, you will play lots of funerals.
I have played the funerals of my late friends, and my friends’ late parents. The funerals of my grandparents. Aunts and uncles. Old friends. And young ones. I played at my own father’s funeral.
When I was high-school age, I was often asked to sing for funerals. People tried to pay me for this service, but my mother always made me give the money back and tell the grieving family: “It was my privilege to be here.”
And I’ve always believed in my mother’s lessons. Don’t mistake me, I am not a model Baptist boy. I freely admit, I am a backslidden man. I drink cheap beer, I sleep in on Sundays, I like the smell of cigar smoke, and when I mash…