A nice restaurant. I’m playing Christmas music on an accordion with a band.
I play accordion because my granddaddy played it before me. This instrument is in my lineage. And it’s in our history as a civilized race.
And thusly, I believe that as long as we have young accordionists, there is still hope for humanity.
A few children approach our stage.
“WHAT KIND OF INSTRUMENT IS THAT?” asks the redhead.
“It’s an accordion,” I say.
“WOW! IT’S SO HUGE AND DORKY LOOKING!”
“That’s not very nice...”
“IT SOUNDS LIKE A DYING TOAD!”
“NO,” says another. “IT SOUNDS LIKE A CAT GETTING RUN OVER BY A CAR!”
“Hey kid,” I say. “Santa told me you’re getting nothing but underwear and deodorant this year.”
This kind of accordion shaming is nothing new. I’ve been ridiculed since my childhood. I have heard all the classic jokes.
Such as: What do you call a successful accordionist? A guy whose wife has two jobs.
Or: What are the first words an accordionist says after he knocks on your
door? “Pizza delivery.”
But I don’t care. When I play accordion, I play for my mother’s father—the man who fought in Europe, and won a Purple Heart for his valiance. He was a farmer, a storyteller, a wood carver, a musician who could sing in Italian, German, French, Spanish, and Cajun.
And when he played “Lady of Spain,” it was magic.
Of course this can be embarrassing to admit at, say, dinner parties. Like the party I was at a few nights ago.
The attorney sipping gin remarked: “I’m learning guitar, I got one for my birthday this year.”
“Yeah,” added the thoracic surgeon. “I played a little saxophone in high school band.”
“Well,” I said. “I play the accordion.”
They laughed softly. Then, one man handed me his glass and said, “I’ll take…