Whenever I am feeling sad and blue, I visit my living room coffee table. I sit on my sofa, which is adorned with chew toys, claw marks, canine hair, exposed couch stuffing, and various upholstery springs, and petrified trails of dog drool that resemble evidence of past slug races.
There, I consult a book that sits on my coffee table. I open this book and almost always feel better.
I consult this book whenever life starts to feel heavy. Whenever people in the world seem particularly bat-excrement insane. Whenever my fellow Americans become uncharitable, arrogant, selfish, or worse, political.
That’s where this book comes in handy.
Inside this book are famous paintings. Most of these paintings were originally covers for the “Saturday Evening Post” magazine.
The first painting in this book is entitled “Before the Shot” (1958). The painting shows a little boy, in a doctor’s office. The boy is unfastening his pants, getting ready for a shot, and his little
white butt is showing. Meanwhile, the doctor is by the window, preparing the syringe. The painting makes you smile, no matter who you are. Especially if you’ve ever had a little white butt of your own at one time.
There is the series of paintings about “Willie Gillis.” From 1941 to 1946, the Post ran covers about a fictional character named Willie, a freckle-faced young man who was swept away into the madness of World War II.
Willie begins as a boy. Then he enters the military, wide-eyed and hopeful. Throughout a series of mostly lighthearted images, we see the war change Willie. When he comes back home, he’s looks less optimistic. And there’s something deeply moving about this change in him over five years of hell.
There is the artist’s depiction of “Rosie the Riveter” (1943). She embodies the post-Depression, wartime, hardworking blue-collar woman. She is proud, brawny, holding her…
