It’s morning in Nashville. I am on my way to a recording studio. The traffic is awful. Locals call this the morning rush.
The locals also tell me that this frantic rush will immediately be followed by: mid-morning rush, pre-noon rush, noon rush, afternoon rush, and the halftime show.
And don’t even get the locals started on what traffic is like after everyone gets off work. In Nashville they don’t even call it “rush hour” because that would imply that it only lasts an hour.
There are cars gridlocked on the interstate that have been stuck in the same place ever since Gerald Ford was president.
I am recording my second audio book today. The first time I recorded a book, I had no idea what I was getting into. I learned a lot. Namely, I learned that when you read audio books you have to do character voices. Which was something I’d never thought about.
To give you an idea of what I mean: Let’s say that you’re reading a book about
pirates to kindergarteners. If you don’t say “Arrrgh matey!” in a graveled sailor voice before every sentence, the kids will have no idea you’re reading about pirates and might think you are reading about, say, the rise and fall of the Roman empire. It’s the same way with audio books.
The studio I’m recording in is not far from the famed Music Row, where all the famous studios are. Just down the street are world famous places that once cranked out groundbreaking albums from legendary artists such as Elvis, Dolly Parton, Johnny Cash, George Jones, and of course, the Backstreet Boys.
I remember how nervous I was the first time I visited this place. I was trying not to stammer into the microphone while reading. And when I got to the a dialogue section in the book, the audio engineer spoke over the intercom and said, “Hey,…