I was in the airport when an AI robot custodian was roving around, sweeping the floor and accepting various bits of trash from nearby passengers.
The robot came close to me. We just locked eyes.
“Hi,” I said.
“Hello, do you have any garbage for me?”
I smiled. “No.”
The robot buzzed away.
When I was a kid, artificial intelligence did not scare me. In kid-world, the concept of AI always carried a fun-loving tone. Robots were your friend.
There was Rosie from “The Jetsons.” She was a big, maternal robot. A lovable mechanical member of the Jetson family cooked, cleaned, and spoke with a Brooklyn accent. All her antennas (antennae?) flashed and beeped whenever she spoke.
There was the Environmental Control Robot on “Lost in Space,” an advanced computerized intelligence module that looked exactly like a guy wearing a trashcan. The robot’s role was unclear. But he was a valued member of the Robinson crew, exhibiting a wide range of human characteristics such as laughter, sadness, as well as
singing and playing the guitar, and answering each question helpfully with, “That does not compute.”
So I didn’t know I was supposed to be afraid of AI until this year when someone asked a chatbot to write something in the style of Sean Dietrich.
Now, my first thought was: The chatbot is going to reply, “In the style of WHO?”
Namely, because in the literary world, nobody knows who I am. If the publishing world were like high school, I would not be one of the “cool kid” authors. I’d be the author who is in detention every weekend dutifully trying to break his record for most spit balls stuck to the chalkboard.
Even so, the chatbot actually imitated one of my essays. Although, you…