Donald's home is half trailer, half homemade lean-to. He has two little dogs, but his daughter takes care of them. He's too old to care for pets.
His daughter’s home is on the adjoining property. It’s a new-built home. She offered to move her daddy into her spare bedroom. Donald wouldn’t have it.
So, she practically lives with him. She sleeps in a back room. She keeps him fed. She keeps him moving. She encourages Donald to play his fiddle.
He's the creative type. Donald used to build things, wood-carve, paint pictures, grow roses, tell stories, and bow a fiddle.
His house is a wreck. There are piles everywhere. Cardboard boxes, junk-mail, potato-chip bags, radios, guitars, clocks, and enough coffee mugs to construct a national monument.
Donald pitches a fit if ever she tries to clean.
He’s done a lot in his life. He was a cotton picker, a veterinary assistant, a crop duster, a house painter, a janitor, a hunter, he traveled with a band, playing gospel fiddle.
Today, Donald is
slow-moving and half aware.
His daughter shows me photographs lining his dark hallway. Most photos are of a boy. The kid’s entire childhood is hanging on those walls.
A toddler on a tricycle. A boy holding a dead turkey. A young man with a Louisville Slugger. A high-schooler, playing guitar—his daddy on fiddle, smoking a cigarette.
The boy’s name was Daniel. He is no longer.
Donald's daughter opens a book of poems. Her father wrote them long ago. She’s compiled them into a binder with plastic sleeves.
A few lines:
“...And the place below heaven, where suns and moons both rise,
“Is yet bitter and the same, without my little boy closeby.”
His daughter tells me…