As a boy, my father used to listen to the Grand Ole Opry and drink beer in his garage.
We were Southern Baptists, and Baptists do not drink beer inside, only in the garage. Occasionally they smoke out there, too. But only when your mother is out of town visiting her aunt Cynthia.
Out in that garage I listened to 650 AM, Nashville. I heard Loretta Lynn, George Jones, Sarah Cannon, and all the greats.
If my mother happened to be home, and if she came into the garage unexpectedly, my father would quickly pass me his beer and cigarette and say to my mother, “Look what I caught your son doing.”
Foremostly, I was a kid with musical proclivity. I wouldn’t go so far as to call it “musical talent.” I was, however, allowed to sing and play piano in church.
Namely, because it was only a 27-member church, and the only other in our congregation who was called upon to sing offertory hymns was Mrs. Wannamaker, who my father
said had a voice like a Buick with a bad starter.
When I was 11 my father died, whereupon I began listening to the Opry faithfully. Every Saturday. I suppose I was trying to keep him alive, somehow.
Eventually, I grew up. Eventually, I parted ways with modern country music because I preferred a style of music that didn’t involve thong underwear and three-thousand-dollar boots. I preferred my father’s style of music. Blue collar music. Tunes sung by folks who knew what it meant to work for a living. Just like my old man.
After a long, rocky childhood, and a string of persistent failures, I fell into novel writing when I was in my 30s. I enjoyed it. I was soon raking in hundreds of dollars per year.
Even so, I have been fortunate enough to produce a handful of novels, and I feel grateful for this.
No,…