A few years ago. She was in the supermarket parking lot when I saw her. My old English teacher. I was enraptured.
“Enraptured” is one of those words writers often use because it contains three full syllables. And also because it’s not a word people use in everyday conversation.
You see, occasionally as a writer you find yourself going for big words that aren’t common words. There’s a sound reason for why you do this: so people will think you’re smart.
“Behemoth” is one of these big words—it means “big.” Another word is “shibboleth,” which is not a cuss word for agricultural fertilizer, but an actual word that means “common belief.”
So if you’re a new writer, and you’re trying to sound like a big shot, sometimes you consult your big bag o’ words and pull out some doozies. Although this is a waste of effort. Because a writer ought to just say what they mean.
At least, that’s what the woman in the parking lot taught me.
I was her adult student. And she was
a beacon. A great tutor.
She taught writers there was no need for fancy words to describe beauty. In fact, this is one of the beautiful things about beauty itself. Beauty is simple. So simplicity is your best way to go.
Short words. Easy sentences. She taught that sparse elements were prettier than excess. In her opinion, the notion that writers must use complicated, flowery phrases was nothing but a big pile of shibboleth.
When I first started my community college career, I didn’t know many big words. I never considered myself to be particularly smart. I lack many educational qualifications. School was always hard for me. I believe I might have a mild form of dyslexia, but don’t quote me on taht.
All I know is that when you put me in a roomful of people at a cocktail party, I’m the guy…