There is a TV camera in front of me. There are several audio and lighting people packed into this tiny room like pickled hogs’ feet in a jar.
Amidst all the high-tech equipment, there is a makeup department, wardrobe department, lighting people, producers, co-producers, associate producers, executive producers, and supervising administrative associate to the assistant to the co-producers.
I have one task today.
I’m supposed to say a few simple lines for a commercial. Which is a lot harder that it sounds. I haven’t had to memorize any actual lines since I played Paul Revere for my fourth-grade play and told everyone that the British were coming.
“Okay, people!” says the director, clapping his hands. “Let’s do it one more time!”
So we all cheerfully start the scene from the top. We are still wearing our on-camera smiles as though we cannot think of anything more wonderful than doing this take “one more time.” Even though we have been doing it “one more time” for 45,293 times because some idiot who looks like me
and lives in my house keeps muffing his lines.
“Places, people!”
There are large lights aimed at me. These are not small spotlights from the Dollar Tree. These are the sorts of lights used to illuminate runways for 727s. These lights are miniature nuclear events. They are inches away from my bare skin, causing the hair on my forearms to burn off and my neck to flay. It’s great.
The best part about being on camera is that I am discovering how badly my mind operates. I have three ultra-easy lines, but I’ve been at this all day and I can’t say them without screwing up.
In fact, I can’t speak without stuttering, lisping, hiccuping, or having my knee joint pop for no reason.
And on the rare occasion when I get my lines right, someone in the film crew inevitably makes a loud bodily noise…