Miss Tia’s first-grade class is visiting the nursing home. It’s a big day. Some of the residents here are wearing their Sunday best.
Andy Griffith is on TV. The woman sitting in front of the screen is elderly. Slumped. She's wearing a red blouse, gold shoes, and too much makeup. She’s not moving.
Behind her: a man eats from a plastic tray. His cap reads: “Kubota” on front. He’s stabbing meatloaf.
Two first-graders are the first to introduce themselves. They are happy kids. They talk loud.
The old man turns an ear toward them. He has to adjust his hearing aid. By the time he does, they've already found a new victim.
This makes him laugh.
A nurse pushes a wheelchair. Sitting in the seat: a white-headed woman with coal-black skin. They say she sang in a choir as a young woman.
She warms up with “What a Friend We Have in Jesus” to prove it.
“No,” says her nurse. “YOU aren’t the one singing today, it’s the KIDS who’re singing.”
And
the kids certainly do.
They line up before a piano. A fourteen-year-old girl, named Briana, provides keyboard accompaniment. Miss Tia’s children sing their lungs out.
There isn’t a person in the white-headed audience who isn’t smiling.
A woman interrupts the song. She is gray, wearing a nightgown. She’s yelling. She calls for Benjamin. She's frantic.
She asks anyone within earshot if they’ve seen Benjamin.
One of the nurses tries to calm her by taking her to the other room. The old woman doesn't want to go, she gets fussy. She begins sobbing.
The other residents don't notice her.
When the music's over, kids visit with their audience—just like Miss Tia told them to.