“Welcome to the University of Alabama,” says Ashley, as she shakes my hand.
Ashley is my liaison today. She is wearing a crimson dress and crimson shoes. Everyone is wearing crimson. Even the custodians are pushing crimson brooms.
Ashley leads me to my dressing room. I am doing a show at the Bryant Conference Center today.
Pinch me.
Today, I will perform in a room filled with six hundred bazillion people. I will play my guitar and tell jokes about the rural singlewides from whence I sprung.
The lights are dim in the giant auditorium. The room is big enough to qualify as an aircraft hangar.
The sound guy shakes my hand. He is probably wearing a crimson underpants.
“Welcome to the University of Alabama,” he says.
The University of Alabama is not like your run-of-the-mill State-U. This place is Disney World.
Everything is big here. If you ask for a Coke, for example, they give you a two-gallon jug of Coke and several hundred shares in the Coca-Cola Company.
In the lobby of the conference center are monstrous
glass cases with artifacts and oil portraits of Coach Bryant, Gene Stallings, and Joe Namath.
“This place is like the Vatican for SEC fans,” says the sound guy. “Only instead of Jesus, Mary, and Saint Peter, it’s Frank Thomas, the Bear, and Saint Nick.”
I am led into the auditorium to set up my guitar for soundcheck. Directly behind the stage is the largest video screen I’ve ever seen. The screen broadcasts gigantic slideshow photos of my face before the event.
“That’s a big screen,” I say.
“Biggest in the southeast,” says the sound guy.
My headshot is on a 32-foot, ultra-high definition, highly advanced, 4K, LED video wall that is roughly the size of a small subtropical continent. You could park a Buick in my nostrils.
“Has anyone famous ever been on this stage?” I ask the sound guy.
“Oh,…