I arrive at the Grand Ole Opry with my guitar case in hand. Sound check is in an hour. I am parked beside a tour bus in the parking lot that is approximately the size of a rural school district.
The bus is rumbling. I have no idea which famous person is inside. The windows are tinted with roofing tar. A bodyguard stands before the bus. This man wears a stern look on his face which suggests he either suffers from life-threatening constipation, or he enjoys it.
A guard leads me past metal detectors before entering the building. In the backstage lobby, a ginormous portrait of Minnie Pearl hangs. And that’s when it starts to sink in.
You are at the Opry.
You are remembering when your mother told you, a long time ago, that God had a great sense of humor. In fact, he was the one who invented comedy. And he invented it so life, even when it was full of sorrow and soreness, would still be interesting.
I think I’m starting to understand this.
My
backstage liaison is an older woman named Lemonade. She wears a headset microphone, and leads me through a labyrinth of halls.
“Here is your dressing room, Mister Dietrich,” says Lemonade.
“Mister Dietrich has been dead for 30 years,” I say. “My name is Sean.”
“Is there anything else you need? Sean?”
“No, thank you.”
“Really? Usually performers have a long list of specific needs. You don’t need anything?”
“Well, there is one thing.”
“Certainly.”
“Can I get my picture made with you?”
Soundcheck is surreal. You walk out there, on stage, into an empty arena and it starts to settle in your brain. You’re at the Grand Ole Opry. You.
A circular section of wood lies centerstage, a WSM microphone perched before it. The wooden circle consists of chewed up floorboards, scuffed by one century of boots and high heels. Roy Rogers.…