This is stupid. I can’t believe I’m telling you this. But last night, our band was on stage. Lights were flashing. People were dancing. The tune was “Hey Good Lookin’.” My buddy, Doug, was singing.
And I was squeezing an accordion.
So there. I’ve finally said it. I play accordion.
For years I’ve been pretending to be an average civilian, sometimes even flat-out denying that I own a thirty-two bass Weltmeister, but it’s time to admit the truth:
I play the lamest instrument ever conceived—with the exception of the bassoon.
I started playing as a boy. Before me, my grandfather played. Back in Granddaddy’s day, the accordion was not just “an” instrument, it was “the” American instrument. The accordion caused ladies to swoon, men to fall into jealous rages, and caused international spies to jump through glass ballroom windows.
Once upon a time, the accordion was exotic and elegant. You could watch primetime television and see stately gentlemen like Myron Floren, grinning at the camera, wearing a four-hundred-pound apparatus strapped to his chest.
But times have changed. Most folks don’t even
know who Myron Floren is.
Today, accordion-playing ranks on the “lameness scale” somewhere between identity-theft and dentistry.
Anyway, not long ago, I was playing accordion at a Cajun music concert. I saw a man in the audience who kept smiling at me. There was something about him. He stood beside the plywood stage, eyes on me.
He was white-haired and used a walker. His daughter was beside him. After the show, he approached me.
“I used to play the accordion,” he said.
His whole body was shaking from Parkinson’s.
The man went on, “I played when I was in the Army. Started with piano, but I wanted to be like Myron Floren, so when we were in Germany, I bought one.”
He taught himself to play. He’d stay up until the wee hours, practicing with a radio.
“I was…
