I’m on a plane awaiting takeoff. I’m departing Kansas City for Atlanta. My carry-on bag is above me in the tiny carry-on compartment—a compartment which, according to FAA regulations, is too small for carry-on bags.
There is a woman behind me trying to force her oversized roller-suitcase into storage by throwing her bodyweight against her luggage like a first-string tackle. Her efforts aren’t working because her carry-on is about the size of a 2008 Honda Civic.
But God love her, she’s trying.
A few of us passengers help her out, although we are not strong enough to bend the immutable laws of physics. In the process of helping, I meet the old man seated across the aisle from me. I’m guessing he’s late seventies. He’s in fantastic shape. Short. Wiry.
I can’t see his face to discern his age because we are all wearing masks. But his thin hair is white, slicked with either Brylcreem or industrial machine lubricant. He wears kelly green polyester trousers, unblemished sneakers, and a loud Hawaiian print shirt. I’m already in love with this guy.
“Hi, I’m
Art,” he says cheerfully, and I smell nothing but Old Spice. “I’m ‘fine art,’ too.”
He laughs at his own joke. And after his Rodney Dangerfield opener I have a feeling Art is going to try to sell me a vacuum.
“I’m from Wisconsin,” he adds, leaving his statement open ended, waiting for me to respond with something biographical.
“I’m from Florida,” I say. “Flying to Savannah to meet my wife.”
He nods. “Wives are good.” He thumps his chest. “I was married fifty-nine years.”
“Really.”
“Oh you betcha.” He says the words like they’re all one syllable, a Wisconsinite to the core.
“Fifty-nine years,” I say. “That’s a rarity these days.”
“Oh, yeah. I learned a long time ago that marriage is really just an agreement between two adults. You don’t try to run her life, and…