I am in traffic, riding through Birmingham, listening to an oldies AM radio station. Extreme oldies. The music coming through my speakers takes me to an antique world of hi-fis, beehive hairdos, and weird congealed salads.
The radio DJ says, “...And that was a song from Benny Goodman, now let’s hear one from the Les Baxter Orchestra...”
I remember my granny listening to Les Baxter albums. One such album was called “The Primitive and the Passionate,” ala 1962. On the cover was a photo of a woman who could’ve passed for Sophia Loren, dancing in a sultry way, beckoning to all who looked upon her. Even little Baptist boys.
I remember the record playing on a turntable. It was lush and tranquilizing. When you hear music like that, you are immediately transported to an earlier time, sitting on a plastic-covered sofa, watching someone’s dad—usually named Gary, Frank, or Dennis—use a cocktail shaker to make a Manhattan.
I remember another Les Baxter record. “Space Escapade” (1958). On the cover was Les Baxter dressed in
a spaceman suit with spacegirls falling all over him. Keep in mind, Les Baxter looked a lot like your grandfather’s dentist.
But the record was great. An hour’s worth of exotic orchestral music that sounds exactly like being trapped in a department store with your mother while she’s trying on dresses.
“Attention shoppers,” the department store intercom says. “Special on aisle twelve, make your own julienne fries with the new Fry-O-Matic! Fourteen ninety-nine with rebate. Also, ask your sales associate about our sale on boy’s athletic supporters.”
The radio station is now playing selections from the country music vein. Conway Twitty. Hank Snow. Followed by Buck Owens, singing “Together Again.” I turn it up.
If I close my eyes, I’m sitting in front of a Zenith console TV with my father. On the screen: Roy Clark and Buck Owens are surrounded by their “Hee Haw” gals in…