Somewhere in West Florida. A hot, humid night. An outdoor concert. There are people on a large grassy lawn, cross-legged on blankets. The stars are out. So are the crickets.
I am onstage. Our band is playing “Still the One” because my wife is sitting in the front row.
“Still the one, that makes me strong,
“Still the one, I wanna bring along,
“We’re still havin’ fun, and you’re still the one…”
There is a five-year-old girl in the audience, dancing the Floss. The girl teaches me this dance. I try to follow her. It’s not pretty. I have never looked more Baptist than I do when attempting to dance the Floss.
Long before I started writing, I worked almost every job there was. I worked construction, retail, food service, landscaping, and once—this is hard to admit—I dug ditches.
My official job title was “lead culvert installation supervisor.” I made that title up myself.
But no matter what my job, after I clocked out, I would play music for money at local establishments with friends.
In my life, I have played piano in a gazillion joints with various bands, for all occasions. We’ve played skating rinks, weddings, bar mitzvahs, beer joints, churches, and shoe store clearances.
People ask how I started playing piano. And I tell them, it was my ninth birthday. My parents had a small family celebration.
My mother decorated my birthday cake with piano keys—because she knew how much I liked Ray Charles, Ronnie Milsap, and the blonde gal on the Lawrence Welk Show who played ragtime.
After I blew out the candles, my father said, “Wanna go down to the basement?”
That was weird for him say. I hated our basement. It smelled funny down there, and there was a lot of skink poop behind the water heater.
Even so, we went. My father…