Willie Nelson canceled an upcoming concert in April. No explanation was given for the cancellation. Some have speculated that he might not be in stellar health. I can only hope and pray the 88-year-old is okay.
I’m not sure how Willie Nelson got mixed up in my memories, but he is. My brain’s most replayed memories seem to include the music of Willie Hugh Nelson as a soundtrack.
Truthfully, I’m not sure why I liked Willie so much. Maybe it was because I’m a redhead like him. Or maybe it was because he never struck me as a guy who was trying hard to impress you. He was just himself.
I appreciated the meek way he approached music. I loved the gentle touch he had on his Martin N-20. I liked that he used a guitar pick on nylon strings, causing uptight guitar purists to suffer cardiac infarctions. I liked that over the years his pick wore a hole into the spruce top of his instrument.
Moreover, Willie wasn’t a pop star. He is
us. Kenny Rogers and Conway Twitty were great. But they represented were the shiny, star-studded Nashville elite. Willie was like the guy your daddy worked with.
He didn’t have a powerful baritone voice like Jim Reeves. He didn’t wear a bow tie like Ray Price. He sounded like your uncle singing with the VFW band on bingo night.
And Willie’s tunes weren’t anything like the idiocy that passes for modern country music today.
A few days ago, I was in traffic, flipping past songs on the radio when I landed on a new country song by Trace Atkins, featuring Luke Bryant, and rapper Pitbulll. The tune was entitled, “Where the Country Girls At?” I almost wrecked my truck on purpose.
Willie didn’t write stupid songs. He wrote poetry set to music. He wrote sonnets about cowboys, unrequited love, and angels who flew too close to the…