Monroeville, Alabama—the middle-school gymnasium smells like one. This old wood floor is about the age of my late granddaddy. It creaks.
I’m watching a rehearsal for a community play. Atticus Finch is hugging his children in the final scene of “To Kill a Mockingbird.”
The kid-actors fidget between takes. They’re an energetic bunch, just freed from school an hour ago.
“Cut!” yells the director. He calms the rowdy.
Welcome to town—a place with a little over six thousand folks. Here, you’ll find tractor dealerships, barbecue joints, a Piggly Wiggly, a pulp mill.
And, an abandoned middle school—which is where I am tonight.
This is the twenty-sixth year the community has put on this play. It started as a way to raise money for courthouse renovations.
It turned into something else.
“We’ve gone all over the cotton-picking world,” says Miss Connie—wearing a church-lady hat and white gloves. “Hong Kong, England... We’re about to go to Ireland. It’s funny, I guess everybody wants a taste of Alabama.”
I guess.
When the cast isn’t bringing Lower Alabama to the world, the world comes to Monroeville.
“It’s wild,” says
one cast member. “During April and May, we get visitors from Europe, Japan, and Canada to see this thing... Guided tours, busses, crowds... Craziness.”
The city turns into a downright feeding frenzy for anyone who’s never sipped sweet tea, seen shotgun houses, longleaf pines, or heard gospel choirs.
“Moment tickets go on sale,” Miss Connie says. “We sell out in three hours. Celebrities even come to town. Last year, we had Katie Couric.”
My cow in the morning.
“Harper Lee made our way of life famous,” she goes on.
Maybe. But these actors are the furthest thing from famous. They are insurance salesmen, steelworkers, funeral-home directors, policemen, mill-workers, middle-schoolers, grandmothers, attorneys, and preachers with accents so thick they sound like your daddy.
Director Stephen Billy helps children into stage-positions with an easy touch. He’s good…