JACKSON—I am at a breakfast joint, sipping lukewarm coffee, eating scrambled eggs. Seated at the counter beside me is an old man. He asks what I do for a living.
“I’m a writer,” I say.
“Oh yeah? What’s your name?”
I tell him.
He frowns. “Never heard of you.” He scoots closer. “But I’ll buy your breakfast if you listen to my story.”
I’m looking for the exit.
“It won’t take long,” he says. “All you gotta do is listen.”
“Fine,” I say. “But you’d better keep your hands to yourself.”
He tells me that Jackson is famous. For starters, Johnny Cash and June Carter sang about it. Though, nobody seems to agree on which Jackson they were singing about. Some think they were singing about Mississippi. Or it could have been Jackson, Maine. But the old man doubts it.
“It was right here,” says the man. “Johnny Cash sang about our town because Carl Perkins lived here, and Carl invented rock and roll.”
“Invented rock and roll?” I say.
“You dang right.”
Carl Perkins is not a name that today’s generation knows about. He
didn’t have his own hashtag, YouTube channel, Twitter account, or any of that “fandangled crap,” as the old man calls it.
“But,” says my new friend, “Carl could sure nuff play a guitar.”
“And he invented rock and roll?” I clarify.
Sort of.
Carl Perkins is the king of rockabilly music, which is rock and roll’s older brother. Or rock and roll’s mother, depending on how far you want to carry this metaphor. Or maybe it was rock and roll’s step cousin.
“It was just country music,” the old man explains. “Country music that you could move your feet to.”
But rockabilly was like nothing anyone had ever heard. It was a mix between blues and country, with a touch of boogie woogie, electric amplifiers, drums, lots of moonshine, and enough Brylcreem to wax the…