You probably never met Ricky Edenfield. But you would’ve liked him. He played a banjo downtown, Crestview, Florida. He was a big fella, thick-bearded, with a personality so jolly he made Santa look like a jerk.
I saw him play. I remember it like it happened a few days ago:
“Whatcha want me to play?” he asks a few kids.
Somebody’s mother asks, “Do you know ‘Will the Circle be Unbroken?’”
“Know it?” He laughs.
He knows it. And he plucks through it like a man whose beard is on fire.
That’s my memory of him. He played this music like he belonged in a different world. An older one.
The world your great-grandparents came from—long before twenty-four-hour news channels and cellphone-based entertainment.
He was homeless for a long time, and it was hard on his body. He used a wheelchair. Once, he even died on the operating table from a collapsed lung.
But he was a cheery son of a banjo.
He had a way of looking at you that made
you feel seen. And you’d wonder about things for a few minutes while he played. Big things. Universal things.
Like: why are people homeless? And: is anyone truly without a home?
“I ain’t homeless,” Banjo Bear once told me. “Got me a mansion. A nice one. It just ain’t down here.”
Then, I saw him fingerpick the tune, “I’ll Fly Away.” And even though I never knew this man, I knew him. Just like I know all the verses to this song. It’s a melody which sounds like a hymn, but isn’t. It’s more than that.
It’s a rural church, with wood floors. Where preaching is more like shouting, and the pastor rolls up his sleeves to pray for folks. Where miracles happen, but not the big kind. The little kind. Everyday miracles like babies, marriages, and second chances.
His…
