This fellowship hall is full of fried chicken and people. Men wear camouflage caps. Women wear blue jeans and T-shirts.
If you were to show up in, say, khakis, you'd be grossly overdressed. Take me, for instance, I am grossly overdressed.
There are enough deep-fried goods on the buffet table to short circuit the U.S. House of Representatives. Hot biscuits. Field peas. Sliced tomatoes. Hallelujah.
There is an old man. He is skin and bones. He has an oxygen tank with him.
The woman with him is old. Her hair is a bright white. She helps him walk toward an upright piano.
Their trip across the tiny room takes a fortnight. He holds her for balance. She keeps her hand on the small of his back. He shuffles.
Nobody is paying much attention to them. Most folks are doing what I’m doing—using a biscuit to shine my plate.
The old man sits on the piano bench and looks at the keys. He’s trying to catch his breath.
She rubs his back.
He starts to play, but he's rusty. He punches out more wrong notes than right.
She keeps her arm around his shoulder and smiles. He can’t find the energy to finish the song.
She touches his face. I wish I could hear what she's telling him.
He picks up where he left off. He plays to the end of the song—I don't recognize the tune. He has more strength this time. Whatever she told him worked.
He plays another.
“There’s Just Something About That Name,” is the title of the melody, they tell me. A few ladies at my table hum along.
Light applause.
The woman kisses the man on the cheek. It's just a…