It’s a nice day in the Capital of the South. The sun warms the brick buildings downtown, making an urban place feel almost country.
I can’t do big cities. But I can do Montgomery. It feels small—sort of.
There’s a bearded man on the sidewalk, collecting cans. Businessmen eat lunch at an overpriced outdoor restaurant, playing on cellphones.
And Hank Williams.
I see him. He’s staring through the window of his museum on Commerce Street. We've been friends for a long time. He hasn't aged a day.
The first song I listened to after Daddy's funeral was “I’m So Lonesome I Could Cry.” I laid face down on the floor and sobbed until I had a headache.
A boy will do anything to remember his daddy.
This museum is small. They have T-shirts, stationery, and a towering wooden Indian, standing by the door.
The exhibit is bare-bones, no digital displays like in a modern Smithsonian. The place resembles an antique store. His suits, his Stetsons, and the blue ‘52 Cadillac he died in—which is smaller than I thought.
“No photos allowed,” the woman tells a kid behind me.
The boy puts his phone away and complains under his breath to his girlfriend, "They let us take all the pictures we wanted in Nashville."
This isn't Nashville, kid. I’ve visited the Country Music Hall of Fame. I could give a cuss which rhinestone tuxes Kenny Rogers wore on his '83 Japan tour. Today, I'm a boy trying to remember his daddy.
Hank is on the jukebox. He wails. I remember things. Like when Mama got trapped in the chicken coop and almost passed out from heat exhaustion. I recall old men in suspenders. Alfalfa bales.
I can see the morning of my father's funeral. I was supposed to be getting dressed, but sat on the bed in my underwear, wearing over-sized boots.
Only one day earlier, I'd found Daddy at his…