Late morning. Bobby and I packed the car for the Great American Road Trip. I tossed my fiddle into the backseat. Bobby placed his banjo in the trunk. I ate my third Larabar.
“Ready to shove off?” said Bobby.
“Aye, aye,” said I, with a mouthful.
Bobby took the first shift behind the wheel, exiting Birmingham, doing a cool 65 mph, aiming our headlights toward the Mid-Atlantic. Our backseat, full of banjos, guitars, mandolins, multiple fiddles, and three quarters of the nation’s supply of Larabars.
My wife forces me to bring Larabars when I travel. I have thousands. Otherwise, I tend to receive the majority of my nutrition from the Frito-Lay food group. Larabars, you will note, are high in fiber. And my wife is obsessed with lower-intestinal health.
“Did you ‘go’ today?” my wife will often whisper, with concern. Sometimes asking this question in public places such as, for example, funerals.
“Why are you so interested in my bathroom habits?” I will aggravatedly reply.
My wife will then turn to any eavesdroppers and say, “It’s
okay, he’s just constipated.”
For the next nine days, Bobby Horton and I will be playing a week’s worth of shows spanning from New Jersey to the Keystone State. We will finish our trip at the historic Majestic Theater in Gettysburg, Pennsylvania.
You might recognize the name Bobby Horton. He composes music for all the Ken Burns documentaries. He’s a boyhood hero of mine.
I’ll never forget when I first heard Bobby’s music. It was only a few years before my father died. Dad was watching the PBS Civil War documentary; I was lying on the floor in front of the TV, flat on my stomach, reading the latest installment in the “Archie” saga.
When I heard the documentary’s music coming from our Zenith console, I was so mesmerized I forgot all about Veronica, Betty, and Jughead. The music captivated me.
Namely, because music…