He’s old and gray. His skin is like used tissue paper. He has liver spots.
I see him seated on the bench in front of a supermarket. He is the quintessential old man. Boots. Plaid. Suspenders. Hearing aids.
There is a blonde child riding one of those coin-operated horses that cost fifty cents per ride. The old man is watching over the child. His hands are resting on his cane.
“Ain’t it fun, Benny?” the old man says.
“Yeah, Grandpa!” says the blonde kid.
Another boy wanders toward the ride. This child is Hispanic. Black hair. Dark skin. Two adults are with him, parents maybe.
They are a handsome young couple in ragged clothes, covered in dust and plaster. They look tired.
The kid points at the horse. “Qué chido, Papá!”
I don’t speak Spanish, but I know childhood wonder when I see it.
The young couple starts speaking rapid-fire. I can’t understand them, but I know what they’re saying. It’s universal parent talk:
“Get away from that
horse,” the Hispanic man is saying to the boy. “Come inside, we have shopping to do.”
But the little boy is just that. He is little. He sees a fiberglass horse, adorned with a shiny saddle. And what boy on earth doesn’t want to be a cowboy?
The old man seems to know this. He smiles at the child. “You wanna take a ride on Trigger, son?” he says.
The kid doesn’t answer.
The man taps his cane on the horse. “Trigger? You wanna ride Trigger?”
“Trigger?” the boy says.
As it happens, when I was a child my father and I watched every Roy Rogers melodrama ever made. For most of my life, my father called all horses either “Trigger” or “Silver.”
“Porfa, Papá!” the kid says. “Porfa, porfa! Trigger!”
“No,” says Papá.
There will be…
