I am playing the fiddle near the swimming pool at my hotel in Dothan. I always play in the mornings. Routine. I’ve been on the road for 14 days, playing music and performing my one-man spasm in different states.
There are kids by the pool, playing on phones, texting each other although they’re two feet apart.
The hotel radio is playing “Beat It” (1983) by Michael Jackson. The song I am warming up on is “Blackberry Blossom” (1860).
My grandfather always said the beauty of the fiddle was that, no matter how many people were around you, whenever you started to play, magically, everyone nearby would suddenly leave the room.
But that’s not the case this morning. As I play, a young boy quits playing with his phone and wanders toward me. Without saying a word, he sits in a chair and listens. When I am finished, he applauds.
Finally, he speaks. “Is that hard?”
“Sort of.”
I hand him the fiddle. He tries to play. The music he makes sounds
horrible. Welcome to the club, I tell him.
So I give the boy a cursory lesson. I teach him to hold the bow, and how to play “Do Lord, Do Remember Me.” Not a hard tune to play. Impressively, within only minutes, the boy is playing better-ish.
The radio music overhead is now “Call Me,” by Blondie (1980). Which sounds like a dying animal caught in a Cuisinart.
Meantime, more children gather around us, watching the boy play. Amazingly, nobody is on their phones anymore, texting, scrolling, buying crypto currency, etc.
The boy stares at the fingerboard with laser focus, already playing better than the fiddle’s owner.
The music overhead is now “Step by Step” by New Kids on the Block, á la (1990). A song which features the same musical sensitivity as a dump truck driving through a nitroglycerin plant.
But the kids don’t hear the…